Showing posts with label Brooklyn. Show all posts
Showing posts with label Brooklyn. Show all posts

Wednesday, 19 December 2012

Barbra Streisand in Brooklyn: Concert Review

Barbra Streisand might have waited a little too long to come “Back to Brooklyn,” as her current tour is called. Performing an emotional and triumphantly received show at the borough’s new Barclays Center, the 70-year-singer, explaining that she was suffering the effects of a cold, displayed a voice that was noticeably fraying at times during her three hour-plus show.

Of course, Streisand not in optimum voice is still a better singer than nearly anyone else on the planet, and her masterful technique -- not to mention the chicken soup she drank frequently throughout the evening -- allowed her to overcome any deficiencies and thrill the sold-out, star-studded crowed. The evening, as much a cultural touchstone as a concert, masterfully exploited its homecoming theme.  

After an opening montage of vintage photographs encompassing her life and career, the singer emerged in a black sequined dress to deafening roars. “I’ve never played to this many people in my life!” she exclaimed, apparently not counting her landmark 1967 Central Park show played to an audience of roughly 135,000.

STORY: Barbra Streisand Calls Mitt Romney a 'Good Actor' During Brooklyn Concert

The opening number, “As If We’ve Never Said Goodbye,” from Sunset Boulevard, was retooled with amusing Brooklyn-centric lyrics. But it was her belting of the phrase “I’ve come home at last!” that elicited the biggest cheer. She opened the show’s second half with a similarly rewritten “You’re the Top,” which included a shout-out to Jay-Z.

“Who said you can’t go home again?” she asked. “The last time I sang solo in Brooklyn was on somebody’s stoop on Pulaski Street.”

The show, performed to the accompaniment of a lush, 60-plus orchestra, was not dissimilar to the singer’s other tours of the past two decades. The well-chosen set reflected her long-standing collaborations with such composers as Jule Styne, Alan and Marilyn Bergman and the late Marvin Hamlisch, to whom she paid emotional tribute with beautiful renditions of “The Way We Were” and “Through the Eyes of Love.”

Clearly designed to allow her time to rest, the lengthy evening featuring an intermission almost played like a revue. The young Italian vocal trio Il Volo, with whom she sang on “Smile,” performed a short set featuring operatic chestnuts like “O Sole Mio.” After Streisand sang with Chris Botti on “What’ll I Do,” “My Funny Valentine” and her own “Lost Inside of You” and “Evergreen” from A Star Is Born, the trumpeter delivered a pair of instrumentals, including “When I Fall in Love.”

In the most personal if occasionally treacly segment, she brought out her son Jason Gould, looking and sounding a bit like Josh Groban, for an emotional duet on “How Deep Is the Ocean?” He then sang a solo of “This Masquerade” while his mother sat down and kvelled.

As usual, Streisand delivered running commentary throughout the evening, most of it carefully scripted as evidenced by the massive teleprompters that could easily be viewed by the crowd. She also stopped to answer questions that had been submitted by audience members in advance, injecting a political note into the proceedings in response to a query about Mitt Romney’s position on Big Bird.

“I hope that no one tells Romney how to get to Sesame Street, or 1600 Pennsylvania Avenue,” she declared.

Even with the problems in her upper register, Streisand was bewitching on numbers like, well, “Bewitched, Bothered and Bewildered.” Among the show’s highlights were “The Way He Makes He Feel” from Yentl; the Jimmy Webb song “Didn’t We,” a 1970 recording of which is spotlighted on her new Release Me collection; and a stirring medley that weaved together such Styne classics as “Rose’s Turn,” “Some People” and “Don’t Rain on My Parade.”

After the obligatory but still haunting “People,” she sat down to deliver that staple of singers of a certain age, “Here’s to Life,” delivered with a poignant restraint. It was followed by an encore of “Let the Garden Grow,” for which she was joined by the Brooklyn Youth Chorus. But it was her final song, the quietly touching “Some Other Time,” that clearly had the most resonance for this crowd that had waited so many decades for their hometown girl to make good on her promise to finally come back to Brooklyn.

Set list:

As If We’ve Never Said Goodbye
Nice 'n Easy/That Face
Didn’t We
Smile (with Il Volo)
Un Amore Cosi Grande (Il Volo)
O Sole Mio (Il Volo)
The Way He Makes Me Feel
Sam, You Made the Pants Too Long       
Enough Is Enough
The Way We Were/Through the Eyes of Love
Being Good Is Good Enough
Rose’s Turn/Some People/Don’t Rain on My Parade
You’re the Top
Bewitched, Bothered and Bewildered
Lost Inside of You (with Chris Botti)
Evergreen (with Chris Botti)
Emmanuel (Chris Botti)
When I Fall in Love
How Deep is the Ocean? (with Jason Gould)
This Masquerade (Jason Gould)
People
Here’s to Life
Make Our Garden Grow (with Brooklyn Youth Chorus)
Some Other Time


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The Rolling Stones Rock Brooklyn With High-Octane Show: Concert Review

Rolling Stones 2012 live L

Mick, Keith and company prove that they've still got it in their first U.S. date in years.

Barclays Center,
Brooklyn
(Saturday, Dec. 8)

Scoff all you want. Call them old, call them a nostalgia act. The fact of the matter is the Rolling Stones still deliver a more exciting live show a half-century into their career than any other band around.

Performing their first U.S. concert after two November dates in London, they delivered their usual brand of high-octane rock 'n' roll that had the sold-out crowd at Brooklyn’s Barclays Center enthralled -- even as the top tickets went for $800-plus after fees.

Although the order of the songs was slightly rearranged, with Mick Jagger perhaps having senior moments by occasionally forgetting which was to come next, Saturday's set list was virtually the same as in London. They even brought back Mary J. Blige for a searing guest vocal on “Gimme Shelter,” though former Stones Bill Wyman and Mick Taylor sadly didn't show up to lend a hand.

STORY: Mick Jagger's Girlfriend Designs His 50th Anniversary Tour Costumes

Not that the band needed it. Although there were a few sloppy moments -- understandable, considering that this was only their third full show in years -- they sounded absolutely terrific. Jagger, at 69, displayed a voice that seemed to have lost none of its power, and he moved about the stage with the lithe agility of a man half his age. Keith Richards’ and Ron Wood’s guitar playing featured the indelible, sinuous riffs for which they are renowned, and Charlie Watts’ drumming remains a marvel of variety and precision. Providing invaluable support, as usual, were Darryl Jones on bass and Chuck Leavell on keyboards.

As the new three-CD hits collection GRRR! well demonstrates, the band has an embarrassment of riches from which to draw. Even with 23 songs played in the course of their 140-minute set, such hits as “Time Is on My Side,” “19th Nervous Breakdown,” “Under My Thumb,” “Let’s Spend the Night Together,” “Street Fighting Man” and many others were omitted. But that still left room for plenty of classics. In obligatory fashion, they played their two new songs, “Doom and Gloom” and “One More Shot,” which feature the trademark Stones sound while not being particularly memorable.

The show, performed on a stage framed by their recently updated toothy mouth logo and featuring a giant circular runway, began with a film featuring amusing testimonials by such celebrities as Iggy Pop, who compares the sound of Richards’ guitar to “being hit in the face with a dead mackerel,” and Johnny Depp, who smilingly comments that they “write great songs to do bad things to.”

STORY: Rolling Stones Kick off 50th Anniversary Tour: What the Critics Are Saying

Such classics as “Paint It, Black,” “Honky Tonk Women,” “Tumbling Dice,” “Brown Sugar” and “Sympathy for the Devil” were delivered with no hint of rote, as if the band hadn’t done them thousands of times before. But they not surprisingly seemed even more engaged with less familiar numbers like Freddie King’s “Going Down,” featuring a guest appearance by rising bluesman Gary Clark Jr., whose blistering guitar solos seemed to inspire Richards to even greater heights. They reprised their version of Lennon and McCartney’s “I Wanna Be Your Man” and delivered an epic rendition of the menacing “Midnight Rambler,” with Jagger contributing sterling harmonica playing.

Taking a well-deserved break midway through, Jagger left the stage as Richards stepped front and center to deliver his typically ragged lead vocals on his trademark numbers “Before They Make Me Run” and “Happy.” Jagger was in affable mood, frequently thanking the crowd and making the seemingly inevitable joke about journeying to this venue in downtown Brooklyn via subway. “People keep us asking us why we keep touring,” he commented toward the end of the evening. “The answer is, you’re the reason we really do this.”

STORY: Rolling Stones Drop 'Satisfaction' From Encore due to London NoiseCurfew

The three-song encore -- consisting of “You Can’t Always Get What You Want” (featuring the Trinity Church Choir), “Jumpin' Jack Flash” and “Satisfaction” -- was as rousing as you would expect. But not as much as the sight of the four principal band members standing side by side at the show’s end to receive their accolades. Smiling and sweating with their arms draped over each other’s shoulders, they inspired hopes that this tour wouldn’t be, to quote the title of one of the songs they performed, “the last time.”

The band plays Dec. 13 and 15 at the Prudential Center in Newark, N.J., and Dec. 12 at the Concert for Sandy Relief at Madison Square Garden in NYC.

Set list:
Get Off of My Cloud
I Wanna Be Your Man
The Last Time
Paint It, Black
Gimme Shelter
Wild Horses
Going Down
All Down the Line
Miss You
One More Shot
Doom and Gloom
It’s Only Rock 'n' Roll
Honky Tonk Women
Before They Make Me Run
Happy
Midnight Rambler
Start Me Up
Tumbling Dice
Brown Sugar
Sympathy for the Devil

Encore:
You Can’t Always Get What You Want
Jumpin' Jack Flash
Satisfaction


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